Available as a bundle with all new Leica M10 Generation, Q2 and SL2 - Save £120. Use bundle at the bottom of the individual product page. Unleash the full potential of your Leica images with Capture One Pro. With precision editing tools, intuitive shortcuts for faster work, and true–to–life colors tailored to your Leica camera. Model Version Added Required Run Modes File Support Tethered/Live view Notes; Leica S3: 21 (14.0.0) Pro: DNG native: Yes/No: None: Leica S (TYP 007) 21 (14.0.2) Pro.
Leica Q2, 'Daniel Craig x Greg Williams'. Leica Camera and Capture One. Capture One 21 Pro Now Enables Tethered ShootingLeica Camera AG has entered into a cooperation with Capture One. JIMMY NELSON WILL BE SIGNING AT LEICA STORE LISSE. ALPA ALPA Promo Brad Kaye Broncolor Broncolor Promo Cambo Cambo Actus Cambo Promo Capture One Enterprise Capture One Pro Chris Snipes CI Team CI Top 10 Dave Gallagher Event Recap Events Fujifilm Fujifilm Promo Fuji GFX Hardware Tests Hasselblad Hasselblad CFV II Hasselblad Promo INOVATIV Kyra Bodrick Leaf Leica Leica Promo News Phase One Phase. The latest dot release for Capture One 12, that would be Capture One 12.1.5, supports a wider range of cameras than Capture One 12.0.0, for instance, or any previous dot releases for this version, but using Fujifilm X-T4 with it would still not be possible.
First off, I’m obsessed with black and white photography!
Greg Gorman, Sante D’Orazio, and Jim Marshall are some of the black and white film photographers I admire and study. Beautiful grain, contrast, and rich tones are characteristics of their black and white images. I know for sure Jim Marshall used Leica M film cameras loaded with Kodak Tri-X film. Since Greg Gorman was one of the “Kodak Professional Legends,” I will assume that Greg used Kodak Tri-X film based on his images. And based on my review of Sante D’Orazio’s book, “a private view,” he used Kodak TX400 film.
I do not have the patience to shoot with a film camera.
Shooting film cameras was very frustrating because I started my photography career using digital cameras in 1998 with the Canon EOS D2000.
The Canon EOS D2000 was a 2-megapixel digital single-lens reflex camera developed by Kodak on a Canon EOS-1N body. Many enthusiasts regard the D2000 as Canon’s first genuinely usable Digital SLR.
To this day, I have never professionally captured images with a film camera.
In the early 2000s, I purchased a Contax 645 film camera, which Greg Gorman used in his studio. I had nothing but problems with the camera’s internal mechanics, and the lab lost two rolls of film. In 2019, I purchased a Voigtlander Bessa R3A Rangefinder film camera due to its compatibility with Leica M mount lenses. The camera was nice, but the problem was scanning film negatives. I’m used to higher resolution digital files and did not like the film scans’ image quality. And I was not going to purchase a Hasselblad Flextight X1 Scanner on the used market.
Based on my experimentation with two film cameras, I determined if I wanted to obtain the same look and feel of the print quality of, say, Jim Marshall’s prints, I would have to set up a “closed-loop development process” with my local black and white lab.
Over the years, I tried to figure out how to digitally duplicate the contrast and rich tonal range of their film images. Yes, I could have purchased the Nik Collection, which included Silver Efex Pro and emulates Kodak Tri-X 400 film, but it was not the same look and feel compared to black and white film. So I put my obsession with black and white film and prints on the shelf, for now.
New camera systems
Circa 2020, I reconfigured my camera systems. Sold my Leica M10 and assorted lenses and Sony A7III, which was my commercial workhorse. Since my focus for the website is related to Leica digital cameras, I decided to purchase a Leica SL2 and Q2 camera. Also, I bought the Leica Vario-Elmarit-SL 24-90mm f/2.8-4 ASPH, Sigma 100-400mm f/5-6.3 DG DN OS Contemporary, Sigma 14-24mm f/2.8 DG DN Art, and the Sigma 35mm f/1.4 DG HSM Art Lenses for Leica L mount cameras.
I was pleased with the new camera systems and used the Leica SL2 on a wedding assignment last September 2020 with the Leica Q2 as a backup camera.
Leica announces the Q2 Monochrom
Leica announced the Leica Q2 Monochrom in November 2020. Can this be the camera that will provide me the satisfaction and the look and feel of the black and white film in a digital format? Was I nuts spending $5,995.00 on a dedicated monochrome sensor?
Well, not only was I not nuts, but the images from the Leica Q2 Monochrom camera had the contrast and rich tones characteristics comparable to black and white film. Finally! I captured the formerly coveted black and white images in DNG files without dealing with a lab or a scanner.
What I love about the Leica Q2 Monochrom camera:
- Light and compact
- 47-megapixel monochrome sensor
- Minimalist interface
- Macro capabilities
- OLED viewfinder with a resolution of 3.68 megapixels
- The built-in Summilux 28 f/1.7 ASPH. prime lens that is razor-sharp and renders smooth bokeh.
- Quiet shutter mechanism
- FN & Dial buttons are programmable to change the ISO and exposure compensation on the camera.
- The histogram and level displayed on the same display
You will need to purchase color filters!
You will not adjust the black and white images you capture with the Leica Q2 Monochrom like you do when converting color images to black and white. Since there are no color channels in a grayscale image, you will have to rely on traditional black and white photography techniques like color filters to alter your Leica Q2 Monochrom images’ light and contrast.
I mainly use an orange filter on the lens to give my images a little more dramatic look to the sky and clouds in my landscape images.
My recommendation is to purchase B+W Black and White Series filters.
Capture One Leica Q2 Price
I captured the following images around Downtown Sacramento, Capay Valley, and The Delta using a B+W 040 Orange Filter on the Leica Q2 Monochrom camera.
Processing DNG files from the Leica Q2 Monochrom using Capture One
After adjusting many images from the Leica Q2 Monchrom using the latest Capture One version, including a new camera profile, the following settings are my baseline for each image.
- Under Clarity, adjust the sliders for Clarity to ten (10), Structure to three (3), and select Method to Natural.
- Adjust the High Dynamic Range using the Highlights, Shadows, Black, and White sliders to your desired results
- Select Contrast Luma under the Curves presets
- Adjust the Contrast slider under Exposure to fifteen (15)
- Adjust the Dehaze amount to twenty (20)
It is pretty much all you need to do to adjust images in Capture One from the Leica Q2 Monochrom.
Accessories for the Leica Q2 Monochrome
I have purchased the following accessories for my Leica Q2 Monochrom camera:
My conclusions on the Leica Q2 Monochrom camera
Leica Camera Q2
I’m thrilled with the Leica Q2 Monochrom camera. I’m finally able to capture images with contrast and rich tones similar to black and white film. Did I mention I am thrilled?
Capture One Pro Leica Q2
The camera’s small footprint is ideal for hiking in Yosemite National Park or any location from the great outdoors to the “urban jungle.” The image quality is beyond superb, but specifically, the Leica Q2 Monochrom also affords you: ease of use so you can focus on composition and exposure, macro capabilities, stealthy good looks, and sports a high-resolution electronic viewfinder as some of its stand out features.
I see myself using the Leica Q2 Monochrom in the years to come. It’s a keeper!